| Sabine D. Gross
818 Van Hise, 1220 Linden Drive
|
| 2010 - | Professor and Chair, Department of German, UW-Madison |
2003 - |
Professor, Department of German, UW-Madison (Affiliate, Department of Theatre and Drama, 1998-) |
| 1997 - 2003 | Associate Professor, Department of German, UW-Madison |
| 1992-1997 | Assistant Professor, Department of German, UW-Madison |
| 1991-1992 | Lecturer, German Department, University of California-Santa Barbara |
| Dec. 1991 | Ph.D. in German Literature, ("With highest distinction"),
University of California, Santa Barbara. |
| Dec. 1982 | Staatsexamen (State Board Examinations) in English and German Language and Literature, and Pedagogy, Johann Wolfgang Goethe-University, Frankfurt/Main, Germany. |
Courses taught at UW Madison:
Undergraduate:
A. Book
Lese-Zeichen: Kognition, Medium und Materialität im Leseprozeß. Darmstadt: Wissenschaftliche Buchgesellschaft, 1994. xii + 158 pp. (Reviewed: Time's News 1995,German Quarterly 1996, Die Unterrichtspraxis 1996, G ermanistik 1996, Archiv für das Studium der neueren Sprachen und Literaturen 1996, Acta Germanica 1996, Poetics Today 1997, Deutsche Bücher. Forum für Literatur 1997)
B. Edited Volumes
Sabine Gross (ed.): Herausforderung Herder / Herder as Challenge. Heidelberg: Synchron, 2010. 348 pp.
Monatshefte Special Issue Writing in Images/ In Bildern schreiben (102:3, Fall 2010), co-edited with Sabine Moedersheim.
Sabine Groß, Gerhard Sauder (eds.): Der frühe und der späte Herder: Kontinuität und/oder Korrektur / Early and Late Herder: Continuity and Correction. Heidelberg: Synchron, 2007. 495 pp.
Monatshefte 89.4 (Winter 1997) Special Issue Libuše Moníková/Herta Müller: Sprache, Ort, Heimat
C. Articles
„Johann Gottfried Herder – Anregung, Ärgernis, Provokation,” in: Sabine Gross (ed.): Herausforderung Herder / Herder as Challenge. Heidelberg: Synchron, 2010: 9-24.
„Irrwege und Entdeckungen: Detektivische Lektüre am Beispiel von Kathrin Passigs ‚Sie befinden sich hier’,“ in: Deutschunterricht, LXII: 4 (2010), special issue „Literarisches Verstehen“: 53-64.
„Writing in Images: Introduction,“ in: Monatshefte Special Issue Writing in Images/ In Bildern schreiben (102:3, Fall 2010): 277-284.
“Surveying Narratology,” Monatshefte 100:4 (2009): 534-559.
“Verschlüsseln und Entdecken: Darstellen und Erzählen mit Hintergedanken,” in: Steffen Pappert, Melani Schröter, Ulla Fix (eds.): Verschlüsseln, Verbergen, Verdecken in öffentlicher und institutioneller Kommunikation. Berlin: Erich Schmidt, 2008: 375-400
“Reading in Style: Visual Text from a New Angle,” Poetics Today 29.3 (2008): 565-593.
“Narration in The Tin Drum: A Quirky Narrator in Search of the Truth.” In: Monika Shafi (ed.): Approaches to Teaching Günter Grass´s The Tin Drum". New York: Modern Language Association, 2008: 173-204.
“Vom ‚Körper der Seele’ zum ‚Damm der Affekte’: Herders metasprachliche Metaphorik.“ In: Der frühe und der späte Herder: Kontinuität und/oder Korrektur / Early and Late Herder: Continuity and Correction. Ed. by Sabine Groß, Gerhard Sauder. Heidelberg: Synchron, 2007: 369-383.
“Blindness as Insight: Media, Language, and Perception. Response to Justus Fetscher.” Monatshefte 98.2 (Summer 2006): 262-267.
“Lese-Hunger.” Eva Kimminich (ed.): Gastro-Logie. Frankfurt, New York: Peter Lang, 2005: 69-107.
“Herder’s ‘Prescient’ Aisthesis. An Update on Touch and Vision.” Herder Yearbook 2004, eds. Wulf Koepke, Karl Menges. Heidelberg: Synchron, 2004: 69-87.
“Get Real: Narrative and Uncertainty in Fiction.” Michael Crawford, Paul Harris (eds.): The Study of Time 11. Leiden: Brill, 2004: 58-78.
“Lern-Erkundungen. Über Wahrnehmung, Lernsubjekte und Lernwelten.” Neue Sammlung 43, 4/2003: 487-512.
Alexander Müller, Thomas Eberle, Sabine Gross, Ingo Rentschler: „Begreifen ohne anzufassen – Eine vergessene Dimension der Bildung ?“ Ingo Rentschler, Eva Madelung, Peter Fauser (eds.): Bilder im Kopf - Texte zum imaginativen Lernen. Seelze/Velber: Kallmeyer, 2003: 218-241. [This text has simultaneously been published as an article in the journal Neue Sammlung 43, 4/2003: 513-526.]
“In Praise of Perambulation. Reflections on Perception, Embodied Subjects, and Learning Environments.” Hans Adler (ed.): Aisthesis and Aesthetics. Cambridge: Lang, 2002: 111-148.
“Adjusting the Frame: Comments on Cognitivism and Literature.” (Co-authored with Hans Adler) Poetics Today 23:2 (2002): 195-220.“Literatur und Synästhesie: Überlegungen zum Verhältnis von Wahrnehmung, Sprache und Poetizität.“ Hans Adler (ed., with Ulrike Zeuch): Synästhesie. Interferenz Transfer Synthese der Sinne. Würzburg: Königshausen und Neumann, 2002: 53-88.
“Image and Text. Recent Research in Intermediality.“ (Review Article) Monatshefte 93:3 (Fall 2001): 355-366.
“Das Buch in der Hand. Zum situativ-affektiven Umgang mit Texten.“ Stiftung Lesen/Der Spiegel: Leseverhalten der Deutschen im neuen Jahrtausend. Spiegel Verlag, 2001: 175-197.
"Bild - Text - Zeit: Ekphrasis in Gert Hofmanns Der Blindensturz." Ulla Fix, Hans Wellmann (eds.): Bild im Text - Text und Bild. Heidelberg: Winter, 2000: 105-128.
"Herta Müller." Matthias Konzett (ed.): Encyclopedia of German Literature. Vol II. Chicago: Fitzroy Dearborn, 2000: 726-728.
"Publikumsbeschimpfung." Matthias Konzett (ed.): Encyclopedia of German Literature. Vol I. Chicago: Fitzroy Dearborn, 2000: 406-407.
"Lesen - Körper - Text." Eva Kimminich, Claudia Krülls-Hepermann (eds.): Zunge und Zeichen. (Welt - Körper - Sprache. Perspektiven kultureller Wahrnehmungs- und Darstellungsformen, I.) Frankfurt am Main: Peter Lang, 2000: 151-186.
"Vergangenheitsbewältigung the gentle way?" Jost Hermand, Marc Silberman (eds.): Contentious Memories. Looking Back at the GDR. New York, Bern: Peter Lang, 1998: 189-194.
"Sprache, Ort, Heimat." Monatshefte 89.4 (Winter 1997): 441-451.
"Cognitive Readings or the Disappearance of Literature in the Mind." Poetics Today 18.2, Summer 1997, 271-297.
"Dialectics and Reader Response: Bertolt Brecht's Prose Cycles." Siegfried Mews (ed.): A Bertolt Brecht Reference Companion. Westport, CT: Greenwood, 1997, 168-194.
"The Word Turned Image: Reading Pattern Poems." Poetics Today 18.1, Spring 1997, 15- 32.
"Narrative Time and the Reader." Semiotics around the World: Synthesis in Diversity. IASS Congress Proceedings. Berlin/New York: Mouton de Gruyter, 1997, 405-408.
"Real Time, Life Time, Media Time: The Multiple Temporality of Film." J.T. Fraser and M. Soulsby (eds.): Dimensions of Time and Life: The Study of Time VIII. Madison, CT: International Universities Press, 1996, 133-146.
" 'Soviel Wirklichkeit ermüdet.' Sprache und Stil in Günter Grass' Die Rättin." Hans Adler and Jost Hermand (eds.): Günter Grass. Ästhetik des Engagements. New York: Peter Lang, 1996, 111-146.
"Fremdheit und Verfremdung in Werner Herzogs Jeder für sich und Gott gegen alle." Ulrich Struve (ed.): Der imaginierte Findling. Heidelberg: Winter, 1995, 162-181.
"Lesen - Übersetzen." U. Mahlendorf and L. Rickels (eds.): Poetry-Poetics-Translation. Festschrift für Richard Exner. Würzburg: Königshausen & Neumann, 1994, 169-179.
"Margarete Steffin's Children's Plays: Anti-Illusionism with a Difference." Marc Silberman (ed.): Brecht Yearbook 1994, 67-88.
"Diskursregelung und Weiblichkeit." G. Hoffmeister (ed.): Goethes Mignon und ihre Schwestern. New York: Peter Lang, 1993, 83-99.
"Reading the Signs of Canonicity." Semiotica 96.3-4, 1993, 363-379.
"Reading Time: Text, Image, Film." Time and Society I.2 (Special Interdisciplinary Issue), 1992, 207-222.
"In Defense of Canons." Robert Bledsoe et al. (eds.): Rethinking Germanistik: Canons and Culture, New York: Peter Lang, 1991, 104-112.
"Schrift-Bild: Die Zeit des Augen-Blicks." G. Tholen and M. Scholl (eds.): Zeit-Zeichen, Weinheim: Acta Humaniora, 1990, 231-246.
D. Selected Translations and Other Publications
Laurence Rickels: Der unbetrauerbare Tod. Vienna: Passagen, 1989. 152 pp.
"A Letter from René Gardi." African Arts 18.4 (August 1985), 68-72.
Book and theater reviews for The German Quarterly, Monatshefte, Time's
News, Time and Society, Poetics Today, Communications, Hessischer Rundfunk.
Rainer Werner Fassbinder, Bremer Freiheit. Frau Geesche Gottfried (Regisseur/Director: Manfred Roth), performed May 2-4, 2011 at the Memorial Union Play Circle, Madison
Theatrical adaptation of Die Fromme Helene by Wilhelm Busch, (Regisseur/Director: Manfred Roth), performed May 4-6, 2009 at the Memorial Union Play Circle, Madison
Ödön von Horváth, Glaube – Liebe – Hoffnung (Regisseur/Director: Manfred Roth), performed May 7-9, 2007 at the Memorial Union Play Circle, Madison.
Albert Wendt: Der Vogelkopp (Regisseur/Director: Manfred Roth, Germany), performed May 2, 3, 4, 2005 at the Memorial Union Play Circle, Madison.
Soeren Voima: Das Kontingent (Regisseur/Director: Manfred Roth, Germany) performed April 28, 29, 30, 2003at the Memorial Union Play Circle, Madison.
Andreas Gryphius, Absurda comica oder Herr Peter Squenz, performed April 23-25, 2001 at the Memorial Union Play Circle, Madison and April 28, 2001 at the Weidner Center/Studio 2, Green Bay (directed with Manfred Roth).
Friedrich Dürrenmatt, Der Meteor, performed April 12-14, 1999 at the Memorial Union Play Circle, Madison, and April 17, 1999 at the Weidner Experimental Theatre, UW-Green Bay. (Directed with Angelika Czekay)
Peter Handke, Publikumsbeschimpfung, performed April 21-23, 1997 at the Memorial Union Play Circle, Madison, and May 4, 1997 at Black Box Theatre, UW-Green Bay.
Georg Büchner, Leonce und Lena, performed May 1-3, 1995 at the Memorial Union Play Circle, Madison, and May 8, 1995 at Black Box Theatre, UW-Green Bay.
Franz Xaver Kroetz, Furcht und Hoffnung der BRD, performed March 29-31, 1993 at the Memorial Union Play Circle, Madison (with Martin Kagel).
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